2.19.2009

Assembly Edit

I just had the pleasure of seeing the assembly edit of our film. An assembly basically takes all of the footage that's been shot and places it into the timeline in script order. It was an interesting thing to see it all laid out this way, especially without any music and really just mostly master shots. As you might already know, a film gets written three times, and in the edit phase is the final time. Watching this cut, I could tell some things right away--which performances stood out, which visuals worked and what we needed to do to tighten up the overall pacing of the movie. It's a little nerve racking as the writer/director to go through this process, but you learn so much, and you see that the movie can be shaped in so, so many different ways. I think we have some really good material, and I'm sure our editor will shape it in the best possible way... But I learned a lot about the directing process, here are a few things:

1. Pacing (for actor actions) should be quicker. I think first time directors tend to move things slowly, but I realize, things can move a bit faster, especially simple actions.

2. Get as many wide shots of exterior elements as possible. These wide shots are so helpful in editing transitions, especially to establish a sense of place between different elements.

3. Get as many entrances and exits between places as possible. Sounds silly, but these are so, so helpful in the edit room. Even if you don't think you need those elements, you will!!

4. If you don't like the performance in the moment, you're going to hate it even more later. It's critical to keep doing the take until you get what you want. I think especially watching for moments of overacting are crucial. Go back and do it again and again until you get it, else it's not going to work later.

5. Don't be afraid to have an actor play a take several different ways. In the edit, you can steer the emotional arc in many different ways, and you just don't know which one will work best. Obviously, you should know what you want from the actor, but sometimes, it's not bad to get another version!

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